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You’ve probably heard that Stoneybatter has been gentrified. They wrote about us in The Guardian, so it must be true. As the fourth generation of my family living in the neighbourhood, the notion of gentrification sits uncomfortably with me. Certainly, we have seen changes in recent years, and some of my neighbours have been given the short end of the stick since “boomtime” passed. The people still living in the O’Devaney Gardens flats were abandoned without the new homes and services that they’d been promised. Like anywhere in Dublin, rents are soaring and building companies are buying up property by the handful, which has priced some people out of the neighbourhood.

When TripAdvisor speaks, the world listens. Last year, the online resource named the Little Museum of Dublin as Ireland’s top museum in its Travellers’ Choice Award, pipping heavy-hitters like the Croke Park Stadium Tour & GAA Museum and the National Museum of Ireland on Kildare Street. More recently, they also bagged the European Union Prize for Cultural Heritage/Europa Nostra Award 2016. These accolades are all the more remarkable considering that the Little Museum of Dublin is a relative newbie, having opened up its doors in 2011.

Let's be honest; the internet can be mildly intimidating (if not positively terrifying) at the best of times. What to do, then, if you're of a generation unacquainted with the World Wide Web? Recent statistics suggest that just over 50% of people aged over 60 in Ireland have never used the internet. The problem, ultimately, is that seniors can feel a type of 'digital isolation'. The solution may lie in good old-fashioned human interaction: people together, in a room, exchanging knowledge. Call it a digital dig out.

When I was a kid we would drive to Dublin once or twice a year from County Limerick and get excited as we passed under the flyovers on the dual carriageway somewhere near Naas. The Ilac Centre had glass elevators back then, and we would ride them repeatedly before going for ice-cream sundaes on a terrace near the library. I won some anti-litter art competition when I was very young with a picture colored in with markers of St Stephen’s Green covered in apple cores and cigarette butts.

All interesting Dublin landmarks tend to polarise. For every champion of The Spire, you’ll find someone who still thinks that it should never have been erected. And so too with the Poolbeg Generating Station. Even the more ardent of its champions would be hard pressed to describe it as it beautiful; its two distinctive red and white chimneys, built in 1969 and 1977 and standing at over 207 metres, poking the city’s skyline, cannot even be described as useful - they were decommissioned in 2010.

Since 1996, historian Lorcan Collins has brought visitors around Dublin’s most significant sights to tell them the story of the 1916 Easter Rising and its role in Ireland’s struggle for independence from Britain. He also has a podcast called Revolutionary Ireland and has written The 1916 Handbook for O’Brien Press. Derek O’Connor sat down with Lorcan for a chat to find out more. He discusses what to expect from his walking tour, the true blue Dublin and how he came to land his dream jo

Wanton quirkiness, perennial liveliness and an endearing touch of shabbiness have always been part of Phibsboro's innate appeal. It was where I wanted to live as a DCU student in the late nineties, instead of the gentler, more refined environs of Drumcondra where I was instead. Phibsborough was where the cool kids hung out, with an ice rink, a surfeit of charity shops and good pubs like The Hut, where the Johnny Cash Appreciation Society were in situ on a Sunday night. And then there was McGowan's, where young love was almost certainly guaranteed to bloom, especially after a few drinks.

Any day in axis Ballymun is filled with potential. That's what makes working in the arts and in a community as vibrant as Ballymun so special. For me arts, culture and creativity is about people, about ideas, about synergies and most importantly about listening - really listening. axis is all about this, about creating a space where people can be entertained, try out new ideas in a safe environment, meet, discuss, and come to the heart of the northside to make magic. I have had the pleasure of working in Ballymun, with a great staff, community, artists, and a multitude of stakeholders for nearly 12 years now, and I can safely say that no two days in all that time has ever been the same.

If you’ve wandered in the direction of South William Street (or South Williamsburg Street, as local wags are wont to call it these days) anytime of late, specifically past Busyfeet & Coco cafe, you may have come across your first sight of the new Dublin.ie identity. Truth be told, it’s kind of hard to miss. We’re talking about this rather impressive – and altogether massive, in every sense of the word – piece of wall art especially created by acclaimed Dublin street artist Shane Sutton.

‘Ah, if these walls could speak…’ The clichéd but always heart-felt phrase we’ll forever use to reference intriguing historical sites, with the underlying assumption being that we will never learn these forgotten tales. In the case of Richmond Barracks in Inchicore, however, the people who lived, worked and were schooled here over the last two centuries will be given a voice. From military accommodation to a prison, then social housing and a school, Richmond Barracks has had several incarnations, all of them played out to the backdrop of some of the nation’s most turbulent times.

A great Dublin movie doesn’t merely show off the landmarks, however, or sample the legendary wit – although it never hurts to do a little bit of both. It gets under the skin of the city, and captures its pulse, via that elusive quality some like to call movie magic. There are any number of movies that showcase Dublin and its boroughs to fine effect, from '70s cult classics like Flight Of The Doves and Quackser Fortune Has A Cousin In The Bronx to historical epics like Neil Jordan's Michael Collins (which receives a theatrical re-release this month) and contemporary tales like Lenny Abrahamson's debut Adam & Paul.