As Professor Luke O’Neill discovered recently, when you become a fellow of the extremely exclusive and august science club that is the Royal Society, you have to sign their book. Previous signatories include Newton, Boyle, Freud and Einstein (Oh, and superstar astrophysicist Brian Cox). Which makes the process rather nerve-wracking, according to O’Neill, a biochemist at Dublin’s Trinity Biomedical Sciences Institute and one of the world’s leading immunologists. Luke O’Neill: There’s a practice, you don’t want to smudge your name! Dublin.ie: That’s quite some company you’re keeping there - but what do all you science guys have in common? Luke O’Neill: Science is trying to find stuff out. You can call it exploration, you can call it pioneering, frontier stuff because it’s all about making discoveries. We are explorers, that’s our job, that’s what attracted me to it. I wanted to see something nobody’s seen before. And in my case, luckily enough in my lab we probably had three big discoveries that made a big difference: we explored the immune system and saw things there for the first time. The next step is there’s a whole new pathway or process discovered - and of course the thrill would be if that was a dysfunction or a disease because then you might try and correct it. Once you find the enemy, you might be able to design a new medicine that might beat it. Dublin.ie: So you’re a biochemist and not an ordinary one? Luke O’Neill: I’m a bit of a schizophrenic! I was interested in chemistry anyway and biochemistry is chemistry writ large: if you want to understand something you’ve got to understand the chemical basis for things - and biochemistry is the basis for life. If we understand the chemicals of life wouldn’t that be a thrilling thing? One comparison is with genetics: geneticists don’t really go beyond the genes, you know – and I want to know the real fundamentals. Like genes makes proteins, but what do they do? I was always obsessed with true mechanism – the underlying mechanism, the very basics of how things work. I’ve always been obsessed with molecular things in a sense.
‘Significant’ medieval discovery at Dublin hotel site
Archaeologists have described the discovery of a "terrace" of medieval houses during excavations in Dublin as "incredibly significant". The remains of nine post-and-wattle structures from the 12th Century were found in a dig at Dean Street in the Coombe area of the capital. The dig has been taking place ahead of the construction of a 234-bed hotel. An array of artefacts has also been discovered, including a "beautifully preserved" drawing on slate that shows a man riding a horse. "To get a piece of artwork on slate from the 12th century that's contemporary with the post and wattle houses is a rare and fantastic find," said archaeologist Aisling Collins.
Dublin.ie talks to Mark Haybyrne of Jam Art Factory about his family business and the future of Irish art and design. Since 2011 brothers Mark and John Haybyrne have been showcasing the best of contemporary Irish art and design in their store, Jam Art Factory. Stocking a range of Irish art and design they give independent artists – such as illustrator Claudine O’Sullivan, Arty Smarty Jewellery and KaroArt Ceramics - a platform to exhibit and sell their work. Having started in the Liberties, they now have another thriving store in Temple Bar and ship internationally from jamartfactory.com.
Dublin: One City, One Book is an award-winning Dublin City Council initiative, led by Dublin City Public Libraries, which encourages everyone to read a book connected with the capital city during the month of April every year.
The One City, One Book choice for 2018 is The Long Gaze Back edited by Sinéad Gleeson
The Long Gaze Back is a collection of thirty stories from writers past and present, from the 18th Century to now. Taken together, the collected works of these writers reveal an enrapturing, unnerving, and piercingly beautiful mosaic of a lively literary landscape.
The ‘Metro North’ is now the MetroLink – here’s what it’ll look like
These are the plans for the MetroLink – a north-south train that will run between Swords and Sandyford. The high-frequency, electric rail service is planned to be open to the public from 2027, and is estimated to cost €3 billion, although this is subject to change as the final designs haven't been confirmed. At a press event today, the National Transport Authority (NTA) said that the plan is the "emerging preferred route", which would not be the final route. The NTA says it's open to other proposals. The plans show that the train will cater for 15,000 passengers per direction per hour, and could carry up to 50 million passengers per year. The train will take 25 minutes from the city centre to Swords, and 50 minutes from Swords to Sandyford. Other stops include Glasnevin, Collins Avenue, Ballymun, and Dublin Airport. It will take 20 minutes to travel from Dublin Airport to the city centre. The route will largely be underground in bored tunnels but will be on an elevated track at the Swords bypass. There will be a total of 25 stations (including 15 new Metro stations), 3,000 additional park-and-ride spaces, and 30 new trains.
Most 4-year-olds are almost as digital savvy as their parents, and there's a high probability that your average toddler knows his or her way around an iPhone better than you do. It's still something of a surprise, then, to discover that the touchscreen generation can be as enthralled by a visit to the Lambert Puppet Theatre as their parents ever were.
John Osborne’s groundbreaking play, Look Back in Anger focuses on the life and marital struggles of Jimmy Porter, an intelligent, rebellious young man and his upper-middle class wife, Alison. Tackling themes of sex, class, religion, politics, the media, and the sense of a country stifled by an official establishment culture, Look Back in Anger is widely considered to have changed the course of English drama in the 1950’s. Award-winning director, Annabelle Comyn, takes a fresh look at this world-renowned, blistering play, at a time when class and gender politics are once again to the fore.
In collaboration with Róisín de Buitléar, Fred Curtis, Eamonn Hartley, and Greg Sullivan, three masters of glass cutting and engraving from Waterford create an exhibition; CAUTION! Fragile, Irish glass – Tradition in Transition. Collectively considered, the work comments on the history and social experience of working in the Waterford Crystal factory and living in Ireland. CAUTION! Fragile not only refers to the delicate nature of glass, but is also an appeal to cherish and respect the long tradition of glass engraving and cutting in Ireland.
Glass swords, bells and musical instruments
OFFSITE is back with another jam-packed week of Workshops, Masterclasses, Outdoor Lunctime Talks, Sketchcrawl through the city, Panel Discussions, Book Launch, Exhibitions, Music, Delegate Party and AOI Doodle Jam.
The OFFSITE fringe festival now in its third edition, is the perfect opportunity for creatives to thrive: to learn from each other, to share their ideas, to inspire and be inspired by their peers. The majority of events are free and open to public, make sure to follow us on twitter and our hashtag #Offsite for registration announcements as they open one week prior to event.
Phonica is a series of events rooted in Word and Sound with an emphasis on multiformity and the experimental. Conceived, directed, programmed and hosted by Christodoulos Makris and Olesya Zdorovetska, Phonica aims to explore compositional and performative ideas and to encourage a melting pot of audiences and artists from across art forms.
Phonica: Eight will feature performances from a range of award-winning writers, musicians and artists based in Ireland and internationally, including a polyphonic stage adaptation of a digital novella (an Irish premiere), a poetic collaboration set in rura
Returning for its 6th year along with an extra date, Dublin Comic Con : Anime Edition brings media guests from TV and film, Comic creators, artists, fans and professionals together for a weekend of talks, workshops, demos, interactive activities and all around great family fun with stronger focus on Anime, think of it as the best of DCC August mixed with some amazing Anime guests, panels, cosplay and more!
Our flagship show is also returning the 11th and 12th of August 2018
If you are not a huge anime fan, don't worry we will have sci-fi, pop culture, media guests, sets etc for the non A
The multiple Tony Award-winning ASSASSINS lays bare the lives of nine people who assassinated (or tried to assassinate) the President of the United States.
The nation’s most notorious assassins gather on stage to violently pursue a twisted American Dream… Stephen Sondheim’s signature blend of intelligently stunning lyrics and beautiful music combine in this bold, original, disturbing, and alarmingly funny musical.
Music and Lyrics by STEPHEN SONDHEIM - Book by JOHN WEIDMAN
Musical Director....Cathal Synnott
A coastal city, Dublin has so many vantage points that offer epic views out to sea 🌊 From rooftop bars to soaring hilltops, here’s some of our favourites! https://t.co/skg5VhiHGB #LoveDublin https://t.co/OwgqYFEq3a
Have you ever swam up a waterfall? Well then you'd be 'Ag snámh in aghaidh easa' - pronounced 'Egg snawv inn aye ah-sah'. Learn a new phrase every week with the @RTE_GUIDE for #BliainNaGaeilge | #Gaeilge #Irish https://t.co/CTz0i6ZO8U
Galia (pronounced Ga-lee-ah) Arad is just back from playing support on Marc Almond’s UK tour.
Last year, she toured Ireland with Jack L. She regularly tours Europe with Jools Holland, most recently playing support for him at the 3Arena in Dublin. And she owes it all to Shane McGowan and his manager Joey Cashman, who in a strange, unexpected way set Galia’s music career in train and took her from small-time gigging in New York to centre stage at the Royal Albert Hall.
Coming from a classically trained background, Galia moved to New York from her Indiana home in her early twenties to pursue a singer-songwriter career with a musical style that she calls “Bob Dylan meets
Dr Ruth Johnson is City Archaeologist for Dublin city and is charged with protecting, managing and investigating our oldest heritage, much of it underground.
As well as conservation projects, Ruth has input to new development projects across the city and a role in policy development advocacy. We sat down for a chat to find out how she works and what’s going on across the city, under the ground, in our oldest graveyards, our buried monasteries and in half-hidden, forgotten houses.
How did you first become an archaeologist Ruth?
I worked on a community excavation project in Yorkshire while doing my A-levels after which I did a Primary Degree in archa
On the morning that I visit the Royal Irish Academy, they’re testing out the new Luas on Dawson Street; empty carriages move by while people take time to stop and take in Dublin’s ever-evolving cityscape.
The Royal Irish Academy has been located at 19 Dawson Street since 1851 when it moved from its Grafton Street origins to the more spacious Academy House. Sandwiched between Saint Anne’s Church and the Mansion House, you have probably walked past its elegant exterior hundreds of times and assumed that whatever happens inside has nothing to do with you. But the Academy wants you to know that it has.
Pauric Dempsey, the Head of Communications, meets me in reception
One of Rathmines’ smallest buildings happens to be one of the most distinctive, for it houses a Dublin art collective, MART.
The old fire-station, with a classic engine-red door facing the main street, was built in 1847 soon after Rathmines became an independent “township”. Like the magnificent Rathmines Town Hall, the station was a symbol of township independence and civic pride. The fire crew based here played a big role battling the inferno, which blazed around Sackville Street during the
On Dorset Street in Dublin’s north inner city there’s a typewriter shop that’s been there as long as I can remember.
Founded in 1983, it’s run by Joe Millar and his son, who’s also named Joe. It’s the last typewriter shop in Dublin and the only one in the Golden Pages where it’s listed, simply, as ‘The Typewriter Shop’.
Before setting up the shop, Joe Sr had worked in the typewriter trade for the American manufacturer Remington: “they had offices in Dublin, Belfast, Cork, Galway and Limerick”. They sold typewriters to offices, and serviced the machines to keep them i
You stroll in the door and you walk back in time... Back into a world of Victorian exotica. With the polished wood, the old brass fittings and the glass cases, you feel enveloped in the comfort you find in a good old pub. But this isn’t a pub. This is a place of learning. Or to be more precise, this is a place of fun. This is the “Dead Zoo” or as it is more formally called, The Museum of Natural History. Situated between Leinster House and the Attorney General’s Office, this is a real gem of a museum. It’s been going now for some 160 years and not only is it one of the oldest public museums in the country, it’s also one of the most popular. Each year some 320,000 people visit the museum and enjoy all its Victorian charms for free. “Yes it’s free in,” Education Officer of Archaeology and Natural History, Siobhán Pierce exclaims proudly. Siobhán is joined by the Education Assistant, Geraldine Breen.