Grand Canal Dock is home to more than just the tech companies it’s famous for. That dark grey contemporary building with unusual green bubbles on the front is The Lir – Ireland’s National Academy of Dramatic Art.

Its courses are developed in association with London’s Royal Academy of Dramatic Art (RADA) and its reputation is enviable. Acting is not for the faint hearted though; it takes a certain type of determination and passion. ‘It’s…satisfying to me, going through a script and having to do it night and night again. Every moment is live and there is no second take’, explains final year acting student, Damian Gildea. Why did you decide to study acting in college?
Damian: I’m from Sligo originally, and moved to Dublin a few years ago. There wasn’t too much back in the Sligo theatre scene when I was younger. I always thought acting would be something I’d love to try. I didn’t know what it was, how to do it, or what route I’d have to take. I actually moved to Dublin to study maths in Trinity. I saw a couple of plays and met a few different people up here and it became something I started learning. I did maths for one year, and then decided I wanted to be an actor. I started by doing the introduction course here and did a few small amateur plays. I only started acting, maybe 3 or 4 months before I applied here. I just kind of made the decision and trusted my instincts. Is The Lir a private college? How do you get in?
Damian: It’s actually an extension of Trinity. It was opened in association with The Royal Academy of Dramatic Art (RADA) in London. You get a Trinity degree when you graduate. It’s not private, it’s the same fees as general courses out there. There are three rounds of auditions, then they have an interview. I think over 1,000 people applied, 16 got in – 8 boys and 8 girls.

Damian plays the character ‘Yegor’ in the play Children of the Sun by The Lir – Image courtesy of Keith Dixon Photography Do you learn how to do different accents?
Damian: In first and second year, you go through the basics: standard English, Irish, Northern American and then you go into maybe Scottish, London, Liverpool and Manchester. Ones that would be used quite regularly for shows. The accent and voice coaches here are brilliant. It’s not only about copying, you have to understand how to use your mouth to produce vowels, consonants, different rhythms – that’s how you transfer accents, rather than imitating. Do you learn acting for stage or television?
Damian: It’s predominantly a theatre course, and in second year we go into more on camera stuff, but it’s mostly plays. I’d like to do a few years of theatre. It’s not where the money is, but it’s more satisfying to me, going through a script and having to do it night and night again. Every moment is live and there is no second take. I like having that challenge, that extended period of time that you have to be on stage. Television, it’s a different craft. It has its own difficulties. It’s much closer, so it has to be more subtle. You can’t drop it for any moment on TV, because they see every iota of what is going on in your face. You can’t do theatre on television and you can’t do television acting in theatre. You have to understand where they cross over, in order for it to make sense. What is the theatre scene like in Dublin, in terms of work?
Damian: There are a lot of good actors in Dublin but it’s a tough industry. There are a few main theatres like the Abbey, the Gate, the Project, the New Theatre and some smaller ones. For the volume of actors that are around, there is not enough work to sustain it, and there are only a handful of actors who work regularly. It’s important when you get out that you keep working, keep developing, so when the opportunities come you can take them.

Damian plays the character ‘Sweets’ in Mojo, a play by The Lir – Image courtesy of Keith Dixon Photography Do you have a type of character that you enjoy playing?
Damian: When you come into The Lir, you think you might have an idea of what you would like to play or who you might be like – from watching your favourite character. Sometimes the character that you wouldn’t have thought of at all actually really suits you. Maybe because it’s further away from who you are as a person. It’s sometimes easier to do something completely different than closer to you. You may find it difficult to divide the difference between two people who are similar to you. They concentrate on versatility here in The Lir. They throw you into things that suit you and things that don’t suit you at all. You work on the things you are good at but also on every other aspect. Did you ever have to do an awkward scene, like kiss someone on stage?
Damian: Not particularly, you don’t react in that kind of way. We know why we’re here, it’s nearly like a different breed of people. We understand that it’s an art, a craft and we’re telling a story. It’s not like I’m kissing my classmate, because it never really is that. Maybe when you come into first year, you’re more self-conscious, meeting new people and you slowly start coming out of yourself. Movement and physical theatre classes help with all of those things. At this stage in third year, it’s professional and it’s our job. Do you ever get so into a character that you forget yourself when you’re off stage?
Damian: In the run up to a show, we have a lot of rehearsals on Saturdays. Sunday is your comedown day. Your head is still in the scenes, because you’re in the rehearsal process and it’s hard to get away from it. At the same time, we love to be there. If you’re playing someone you really like, you’re researching them at the start and you can find it hard to let go. You want to find out exactly who this person is. You might love everything about one character, and could be frustrated by another. That’s one thing I love about doing this, every play and every character is different.

For more information on Ireland’s National Academy of Dramatic Art visit

Genevieve is a sunset child from the west of Ireland, now living and working in Dublin as an advertising creative. She doodles, she dreams, she travels, she schemes.

Food for Thought

What sets Europe’s largest culinary school apart? The School of Culinary Arts, DIT Cathal Brugha Street has been blazing trails for 75 years. met with the Head and Assistant Head of the school, Dr Frank Cullen and Mike J. O Connor to find out what sets Cathal Brugha Street apart and what the future and the move to DIT’s new centralised campus at Grangegorman hold. The School opened its doors in June 1941 as Saint Mary’s College of Domestic Science. In the 1950s the college changed to cater to the needs of a growing tourism industry, becoming the Dublin College of Catering. In the

Read More

The Third Level: From Vermont to Dublin

Ireland has the second highest percentage of people with a third level degree in Europe. Whether it’s family tradition, student life or affordable fees in comparison to our counterparts, our third level system is highly popular. It’s also enticing a lot of international students to the country. Ben Campbell-Rosbrook is originally from Syracuse in upstate New York but has come to Ireland to do his master’s in Trinity College. ‘I’m spending like half or a third of the fees to do my masters here, compared to America’, notes Ben. ‘I think a lot of students in America get the sense that the system is stacked against them.

Read More

The Third Level: Life at Trinity Medical

Medicine in Trinity College is known as one of the most difficult courses to get into in Ireland. These students will play a major role in the future of healthcare, in Ireland and worldwide. Someday your life might just depend on one. During placement at hospital, some of these students will experience things that most of us will never see. They’ll witness life-changing moments and hear about difficult upbringings and tragic back- stories. “Sometimes I’ve taken a step back and thought, oh I’m very lucky to never have had any of those issues” says Aisling Hickey, a Trinity medicine student. Aisling is currently in fourth year of the course and on placement.

Read More