Every great city has its great filmmakers – and Dublin is no exception.
A great Dublin movie doesn’t merely show off the landmarks, however, or sample the legendary wit – although it never hurts to do a little bit of both. It gets under the skin of the city and captures its pulse, via that elusive quality some like to call movie magic.
There are any number of films set in Dublin that showcase the city and its boroughs to fine effect, from 70s cult classics like Flight Of The Doves and Quackser Fortune Has A Cousin In The Bronx to historical epics like Neil Jordan’s Michael Collins and contemporary tales like Lenny Abrahamson’s debut Adam & Paul.
Then, there are all the films (or filums, in local parlance) where Dublin doubles for eclectic global locations, from 60s spy thriller The Man Who Came In From The Cold – where Smithfield doubles, rather convincingly, as Berlin’s Checkpoint Charlie – and Stanley Kubrick’s masterpiece Barry Lyndon to recent arthouse sensation The Lobster.
Why Sing Street is a great Dublin movie
Then, there’s one of the city’s most recent success stories: Sing Street. From writer/director John Carney, this is a great Dublin film from a great Dublin filmmaker, as well as an ode to the city.
In 2016, it opened the Dublin International Film Festival to fine effect and is arguably the finest Dub-centric crowd-pleaser we’ve seen since Alan Parker’s seminal The Commitments. Like that 1990 classic, it’s a musical. In this case, a semi-autobiographical tale of teenage misfits making music in an 80s Dublin recreated in all its polyester glory.
In the film, a cast of young unknowns are gamely supported by established talents like Aiden Gillen, Maria Doyle Kennedy and Jack Reynor.
It’s always fun to see hitherto uncaptured corners of the capital immortalised on camera. In this case, Synge Street CBS boys’ school, which Carney himself attended, gives the film its pun-tastic title – the film’s rag-tag gang of misfits name their band for the place.