Unique and personal perspectives on life in The Pale. This week: Fergal McCarthy
When I was a kid we would drive to Dublin once or twice a year from County Limerick and get excited as we passed under the flyovers on the dual carriageway somewhere near Naas. The Ilac Centre had glass elevators back then, and we would ride them repeatedly before going for ice-cream sundaes on a terrace near the library. I won some anti-litter art competition when I was very young with a picture colored in with markers of St Stephen’s Green covered in apple cores and cigarette butts.
I moved to Dublin when I was 26, living originally in Temple Bar and eventually settling in the Liberties in a house originally built for Guinness employees. I began to fall in love with the river, that view west from the middle of the Ha’penny Bridge is my favourite part of the city. I started to swim in the river, climbing down the metal ladder on the quay wall you immediately enter another world.
Driving along the north quays, near the early house with one or two drinkers outside, an image of red and green Monopoly houses bobbing in the river came to me. The city was in the grip of a crazed building spree at the time, planning seemed non-existent. I tried and failed to make my idea a reality. Some years later, all the cranes disappeared from the skyline and an arts festival commissioned my project. The houses lit up in the dark and crowds gathered at night drawn from the outlying suburbs. A year later I rowed down the river and arrived at a desert island close to the port where I lived for seven days. Sitting there for hours at a time I began to imagine the quays reconfigured as a space for people rather than traffic.
My interests began to widen beyond the river, I’m fascinated by what makes the city tick and how it could be improved. I possibly could never live anywhere else, as my work as an artist is so firmly rooted in the geography and social fabric of Dublin.